The glory of the rectangular room is the incredibly wonderful wall of greenish/gray glass. And when the wind moves the leaves of the trees in the adjoining wood, the leaves of this wonderful glass wall seem to move as well.

Perret's construction does the Cologne Cathedral one better by eliminating the need for external buttresses and allowing even more glass in his floor to ceiling walls surrounding the apse.

Here Bohm's great rose window comes into full view, perhaps a reference to the biblical "Rose of Sharon," seen in the Middle Ages as an Old Testament symbol of Christ. The rose itself is set in an abstract filigree surmounted ...

Once again, 1984 Ektachrome could not replicate what the eye could see in its ability to span light and dark.