Again we see the juxtaposition of the contemporary with the pulpit, freestanding altar/table, and seats for the clergy with the traditional high altar, tabernacle, and crucifix, and completing the visual focus, on the wall ...

The great Communion Table, with its concrete base, is given as sense of majesty and joy by a marble veneer.

Dahinden has again provided a running water baptistery. Here the water pouring from the sprout into a circular bowl is clearly visible and makes its presents audibly known throughout the service. In the photo, the corner ...

In St. Antony wood is used for the ceiling while the walls are of brick. Seating is flexible with chairs. The altar/table in this church emphasizes the table function in its design and materials.

Seen from a distance the relationship of (left to right) the altar/table, choir, organ console and case work (seen from the side), seating for the clergy, paschal candle, ambo, baptistery, and crucifix.

Left to right: pulpit, altar table, baptismal pool/font. The altar makes but the slightest bow to the Vatican II emphasis on altar as also a table.

On the left, the organ is visible and the relationship of the pulpit to font and table becomes more apparent. The circular nature of the church and varied roof planes are at first disorientating when accustomed to simple ...

Part of the renovation involved a new pulpit and altar/table brought forward according to the dictates of Vatican II.

Since the pilgrimage church will sometimes minister to groups composed of thousands, there is an outdoor pulpit and altar/table for the celebration of the mass. The human scale of pulpit and table is complimented by the ...

From left to right: a chapel with the great rose window and perhaps a monumental structure to hold the tabernacle. Toward the center of the photo, a side chapel marked only by a semiabstract hanging with the extended hand ...