The interior of the church is a simple rectangle with a concave apse and a very contemporary altar/table, quite unusual for having been built prior to Vatican II. The apse finds its culmination in a 15th century sculpture ...

The liturgical furniture, font, altar, table, pulpit, are all of stone. The focus of both the wood sheathed interior as well as the skylight accentuate the liturgical area while another slit in the wall, out of sight on ...

Different angles produce new aspects of awareness where here we see the cantilevered stairs to the pulpit and the later addition of a rope/railing for the safety of the priest.

Part of the renovation involved a new pulpit and altar/table brought forward according to the dictates of Vatican II.

To the left of the east wall and interior altar/table, is a small balcony providing access to the outdoor pulpit. On the interior north wall (left) is the pulpit for the chapel interior. Again note the floating ceiling ...

The stand for the Gospel now reveals itself as a lectern, flanked by the pulpit with seating for the clergy. The architect has given consideration to the people who need not focus on the priest during the sermon silhouetted ...

The modern pews give way to an apparently traditional liturgical center with pulpit, altar/table, baptismal font, and tabernacle for the reserved Host.

From the baptismal font in the foreground, right, one sees the altar on the axis of the church. A pulpit is on the left.

The effusive Rococo ornamentation of the pulpit was to give artistic majesty and importance to the proclamation of the Word (in contrast, the Dahinden pulpits depend on the power of the Word to speak).