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Foundations of the Basilica of Saint Leonidas
(Western Theological Seminary (Holland, Michigan), 19)
View from the chord of the apse looking across the area of the apse, down the nave, to the narthex and exonarthex. A distance of over 600 feet.
Column capital
(Western Theological Seminary (Holland, Michigan), 19)
The wealth of St. Leonidas is indicated not only by its immense size but by the elaborate carving on remaining capitals as well as the marble of the columns.
Dome at Cyril and Methodius
(Western Theological Seminary (Holland, Michigan), 19)
Shot of Christ as central figure in the dome of the church. While the icon of Cyril and Methodius is covered with silver and placed above the bishop's chair, nonetheless the tradition of placing Christ in the dominant ...
Interior of Sant' Apollinare in Classe
(Western Theological Seminary (Holland, Michigan), 1968)
Long-shot of nave and apse with original mosaics dating to the time of Justinian. Note that in the center of the nave is an altar. This ancient altar is in the north African position.
Interior of Sant'Agnese
(Western Theological Seminary (Holland, Michigan), 19)
Interior of Sant'Agnese showing the balcony for the catechumens.
Dome of Hagia Sophia, Thessaloniki
(Western Theological Seminary (Holland, Michigan), 19)
Christ sitting on the orb of the cosmos surrounded by apostles with Mary flanked by angels on the circumference of the dome.
Dome of Hagia Sophia
(Western Theological Seminary (Holland, Michigan), 19)
Close up shot of Dome of Hagia Sophia. From church to mosque under Kemal Ataturk, the mosque became a museum.
Apse
(Western Theological Seminary (Holland, Michigan), 19)
Note the steps leading up to the apse and in the center-left the two visible squares with holes on which once stood two of the columns supporting the baldacchino over the altar.
Bishop's throne
(Western Theological Seminary (Holland, Michigan), 19)
Bishop's throne beneath the mosaic of Sant'Agnese.
Balcony of Sant'Agnese
(Western Theological Seminary (Holland, Michigan), 19)
Medium shot of balconies illustrating (at street level) the length to which builders went to bury the floor of the church into the hillside so that the altar could be directly above the grave of the martyr.