The side wall with views of the Rhine has panels of stained glass but also panels of translucent glass at eye level, perhaps to obviate the distraction of activity on the Rhine.

The rear wall of the church allows a flood of natural light over the entire interior. The floor to ceiling and wall to wall stained glass abstraction allows the interpretation of each worshipper. The supports for the free ...

Architect: Rudolf Schwarz. The eye of God looks down upon the congregation from above the liturgical center where a dove is descending upon the altar/table.

The large window cutout floods the liturgical center. The Baptismal font, communion table, and pulpit are backed by a simple wall with mortar incissions forming a simple cross. The hymn board and collection sacks are off ...

The simplicity of the exterior of the church is mirrored on it's interior. The ranks of pews focus on the liturgical center, which is allowed to speak for itself, without any further adornment to the "east" wall.

Two parallel walls of the church are floor to ceiling textured/wavy glass in order to diffuse natural light and to reduce exterior distractions.

One wonders if Calvin was able to appreciate their beauty as well as their Biblical scenes.

The stained glass windows are the glory of Sainte Chapelle.

Tadao ando, architect. The windows in the form of a cross provide the image of the cross on the wall behind the liturgical center.

Note the windows which surround the congregation. Note also the strands supporting the small golden rectangles.