Immediately upon entry one is confronted with the Baptismal font and Paschal candle beyond which are the Table and ultimately the pulpit with the congregations seated in monastic fashion.

The organ is placed over the entry at the rear of the church. Organ by Mense Ruiter Orgelmakers BV.

A view of the interior offers another view of the liturgical center with provision for a rectangular table allowing for the congregation to come forward and sit around the table for the celebration of the Lord's supper. ...

Positiv by Van Vulpen of Utrecht. Specifications found in Christ and Architecture, p. 240.

With a renewed theological emphasis upon the church as community and the gathered body of Christ, we find expression of that emphasis in the way the congregation gathers around the means of grace: font ,table, and pulpit ...

A turn to the left immediately reveals more of the great church room while further movement is necessary to reveal the focus of worship.

One wall is an abstraction of colored and translucent glass with abstract symbols of the four evangelists. Glass by Berend Hendriks.

The stained glass window on the wall above pulpit and table is at the height of the former Zuider Zee. This serves as a reminder of God's providence in providing this fertile land for farming, reclaimed from the sea. The ...

This space admits for surrounding the table with chairs, although folding chairs proved to be impractical.

At last the entire church room with the liturgical center for the celebration of the Mass is revealed.

The large and attractive narthex gives opportunity for enterchange before and after services.

The interior of the mega-church witnesses to both its success in gathering worshippers as well as the problem of making a visual witness to the Sacraments of Baptism and the Lord's Supper. While mega-churches have been ...

The very large narthex also serves as Baptistry, placing the Baptismal font and pool not only at the exterior entrance but also the entrance to the great church room. The slot in the face of the font facing the pool allows ...

The sacraments of font and table find their unity in the cohesive use of marble for both.

Again, modern architecture and a liturgically contemporary worship center marked by its austerity and the centrality of the altar while the tabernacle is still on the table. The pulpit is well to the side at the left.

Organ by Orgelbau Genf AG of Geneva. The organ is placed at the rear of the church room in typically Reformed position. Specifications found in Christ and Architecture, p. 306.

This very traditional, rectangular church, nonetheless clearly reflects its reformed heritage with font, table and pulpit. The use of marble visually ties together the means of grace.

The simple liturgical center provides a high pulpit behind a simple communion table while a very diminutive Baptismal stand is placed on an oriental carpet with a kneeler for appropriate occasions. The austere wall has an ...

The impact of the liturgical movement is noted in this Reformed congregation as the congregants sweep around the liturgical center. There is a very large Baptismal font at the head of the central aisle with a simple table, ...

Photographed in 1956, the colors have faded. The pulpit, font, and table give witness to the basic means of grace as understood in the Reformation.