The ceiling structure culminates in additonal clerestories forming a cross.

The latticework and hardware leads into the great church room.

Figures holding Old and New Testament.

Across the pool one can see the liturgical center on the far side of the great worship room.

Akiro Inadomi, architect.

Left to right: E. Crosby, Gussy Willett, Etta Hesselink, Donald Bruggink, church pastor.

Within the restricted footprint of the church space has been set aside as a separate Baptistry to mark the importance of the Baptismal rite as entry into Christ's church.

Skylight with spire holding cross atop the central stairblock.

Behind the liturgical center is a small, lush garden in the midst of the city.

Inadomi again uses the symbolism of a figure holding a book as entry into the great worship room.

Communion table with stands supporting the Bible and pulpit to emphasize the proclamation of the word.

The boxes hold the trays for the "traditional" Protestant little glass cups.

The communionware is composed of traditional lacquered boxes and plates, the latter carrying the symbol of the cross.

A classroom in the stairblock with an abstract stained glass by Willett Studios.

The door pull takes the form of a fish, an early Christian symbol, the acrostic for which was Jesus Christ God's Son Savior.

Inside the entry is the Baptismal pool set against an abstract stained glass window, it's colors carrying the connotation of water and sacrificial blood.