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AuteurBruggink, Donald J. (14)Pei, I. M., 1917-2019 (9)Andō, Tadao, 1941- (5)Sujet
Museums (14)
Miho Museum (9)Exteriors (3)Garden of Fine Arts (Kyoto, Japan) (3)Benesse Hausu Naoshima Kontenporarī Āto Myūjiamu (2)Bridges (2)Fountains (2)Stairways (2)Trees (2)Interiors (1)... View MoreDate Issued2000 (14)Has File(s)true (14)

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Tree 

Bruggink, Donald J. (Western Theological Seminary (Holland, Michigan), 2000)
A portion of mountain atop the museum.
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Tree and mountains 

Bruggink, Donald J. (Western Theological Seminary (Holland, Michigan), 2000)
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Museum entrance 

Bruggink, Donald J. (Western Theological Seminary (Holland, Michigan), 2000)
The museum itself is largely underground in order to minimize disturbance to the natural beauty of the park. It has an underground volume of appoximately 165x25 feet.
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Entrance to the Garden of Fine Arts in Kyoto 

Bruggink, Donald J. (Western Theological Seminary (Holland, Michigan), 2000)
Tadao Ando's outdoor art museum.
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Miho Museum approach and façade 

Bruggink, Donald J. (Western Theological Seminary (Holland, Michigan), 2000)
An imposing flight of steps offers a majestic approach to the abstraction of Pei's museum. The Miho Museum was commissioned by the Japanese religious order, Shinji Shumeikai. It was conceived to be a "symbol of heaven on ...
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Drama 

Bruggink, Donald J. (Western Theological Seminary (Holland, Michigan), 2000)
For Ando even concrete can make drama out of a stair, a wall, and a bench.
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An artistic waterfall 

Bruggink, Donald J. (Western Theological Seminary (Holland, Michigan), 2000)
It's obviously not just a wall because there is not the inprint of the square forms from the concrete plus the drama of the viewing platform.
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Museum entrance, interior 

Bruggink, Donald J. (Western Theological Seminary (Holland, Michigan), 2000)
An art installation within the two story underground entrance room.
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Stairway to exhibits 

Bruggink, Donald J. (Western Theological Seminary (Holland, Michigan), 2000)
No expense has been spared for this museum, as is obvious from the lavish use of marble on its interior.
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Second level with skylights 

Bruggink, Donald J. (Western Theological Seminary (Holland, Michigan), 2000)
Built in a national park, the desire was to disturb the natural setting as little as possible with the result that 80% of the museums exhibition space is underground with much natural light being accessed through skylights. ...
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