• Altar/table and tapestry 

      Bruggink, Donald J. (Western Theological Seminary (Holland, Michigan), 1984)
      Influenced by the liturgical renewal that later had such an impact on Vatican II the altar/table is indeed a table in appearance.
    • Avedøre Kirke interior 

      Bruggink, Donald J. (Western Theological Seminary (Holland, Michigan) in partnership with Calvin College (Grand Rapids, Michigan), 1990-09-17)
      Church room with baptismal font, altar/table, pulpit, organ and tapestry.
    • Baptismal Font 

      Bruggink, Donald J. (Western Theological Seminary (Holland, Michigan), 1984)
      Following an ancient tradition revived by the liturgical movement, the baptismal font stands at the entrance of the church room. The tapestry on the wall behind the baptismal font is an abstract reminder of us the baptism ...
    • Bekkefaret Kirke 

      Bruggink, Donald J. (Western Theological Seminary (Holland, Michigan) in partnership with Calvin College (Grand Rapids, Michigan), 1990-09-25)
      Sanctuary interior photographed from balcony showing this arrangement accenting the communal nature of the congregation.
    • Bekkefaret Kirke 

      Bruggink, Donald J. (Western Theological Seminary (Holland, Michigan) in partnership with Calvin College (Grand Rapids, Michigan), 1990-09-25)
      Sanctuary interior with liturgical center. The altar table is surrounded by the pulpit to the left and the organ to the right with the table accented by the tapestry of the risen Christ with the cross. The communal nature ...
    • The church room with liturgical center 

      Bruggink, Donald J. (Western Theological Seminary (Holland, Michigan), 1984)
      Seen from the choir the front of the church room contains many elements with the tapestry behind the altar giving focus to the room. The functions left to right: (half) of the altar for the reserved host, behind which is ...
    • Close up of tapestry 

      Bruggink, Donald J. (Western Theological Seminary (Holland, Michigan), 1969)
      The crucified, resurrected, ascending and embracing Christ. Note the small representations of the variety of churches participant in the World Council of Churches.
    • The conference room of the World Council of Churches headquarters 

      Bruggink, Donald J. (Western Theological Seminary (Holland, Michigan), 1969)
      The great tapestry, designed by Einar Forseth, forming the focal point of the conference room, and portrays the resurrected and ascending Christ.
    • Eidsvåg Kirke 

      Bruggink, Donald J. (Western Theological Seminary (Holland, Michigan) in partnership with Calvin College (Grand Rapids, Michigan), 1990-09-26)
      The liturgical center of the sanctuary with the table as central with a large tapestry to the left.
    • Eidsvåg Kirke 

      Bruggink, Donald J. (Western Theological Seminary (Holland, Michigan) in partnership with Calvin College (Grand Rapids, Michigan), 1990-09-26)
      The tapestry may have as its scriptural referent 1 Corinthians 15:22, "For as in Adam all die, so in Christ all will be made alive." (NIV)
    • Hundvåg Kirke 

      Bruggink, Donald J. (Western Theological Seminary (Holland, Michigan) in partnership with Calvin College (Grand Rapids, Michigan), 1990-09-24)
      Medium shot of the liturgical center with altar/table and tapestry with the decent of the holy spirit in the form of a dove.
    • Interior of the new Papal audience hall. 

      Bruggink, Donald J. (Western Theological Seminary (Holland, Michigan), 19)
      The Audience hall seats up to 6,300 on individual seating with views unobstructed by columns. The engineering is the hallmark of the architect Pierre Luigi Nervi. The photo was taken shortly after the dedication and still ...
    • Leger tapestry and glass 

      Bruggink, Donald J. (Western Theological Seminary (Holland, Michigan), 1984)
      While highly abstract, the tapestry and glass offer ample room for interpretation as is obvious from the grapes for the Eucharist and the fish from the feeding of the five thousand.
    • Papal dias and tapestry of the resurrection 

      Bruggink, Donald J. (Western Theological Seminary (Holland, Michigan), 1973)
      When first dedicated the focal point scultpure of Christ's resurrection had not been completed. The solution for a visual focal point was met by "borrowing" a tapestry of the resurrection from the Vatican Museum.
    • Paul VI on the Papal throne 

      Bruggink, Donald J. (Western Theological Seminary (Holland, Michigan), 19)
      A temporary focal point was added to the hall by hanging one of the great tapestry from the Vatican museum, in this case a tapestry of the resurrection, which would later be replaced by a sculptor of the resurrection
    • Stained glass and tapestry by Fernand Leger 

      Bruggink, Donald J. (Western Theological Seminary (Holland, Michigan), 1984)
      Executed in 1950-52. There were elements in the Roman Catholic Church of France that wished to update it's image and its attractiveness to the young by engaging with contemporary art and architecture. Thus the modern ...
    • Tapestries on the walls of the palais de papes 

      Bruggink, Donald J. (Western Theological Seminary (Holland, Michigan), 1978)
      Avigon was the Papal residence during the "Babylonian captivity" from 1309-1376.