Browsing by Subject "Naves"
Now showing items 1-20 of 85
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Altar and nave at Sant' Apollinare
(Western Theological Seminary (Holland, Michigan), 1968)Side view shot of altar and nave in Sant' Apollinare. -
The Basilica of Maxentius
(Western Theological Seminary (Holland, Michigan), 19)One of the largest basilicas of its day, it was begun by Maxentius (306-10) due to his downfall at the Milvian bridge, was complete by Constantine. It is a hundred meters long and 65 meters wide, composing a nave with two ... -
Basilica of Maxentius
(Western Theological Seminary (Holland, Michigan), 19)Basilica of Maxentius who reigned from 306-312. We are looking at one of the side aisles with three bays. Note the springers which held the roof over the central nave. Finally, on the floor, note the column bases for the ... -
The Basilica of Maxentius
(Western Theological Seminary (Holland, Michigan), 19)Originally the arches covering the nave were 35 meters high. The arches over the side aisle is 24 meters high. -
Bryndum Kirke
(Western Theological Seminary (Holland, Michigan) in partnership with Calvin College (Grand Rapids, Michigan), 1990-09-20)Nave and sanctuary. -
Ceiling/roof seen from the "north" star point
(Western Theological Seminary (Holland, Michigan), 19)In this case the width is longer than the depth of the nave. -
Conjunction of Sant Ivo's nave and dome
(Western Theological Seminary (Holland, Michigan), 1977)Borromini uses geometry and simple symbols of angels, stars, light, and of course papal seals to overwhelm the participant, rather than the figural excesses of Bernini. -
Conjunction of Sant Ivo's nave and dome
(Western Theological Seminary (Holland, Michigan), 19)Borromini uses geometry and simple symbols of angels, stars, light, and of course papal seals to overwhelm the participant, rather than the figural excesses of Bernini. -
Contemporary Organ
(Western Theological Seminary (Holland, Michigan), 1973)These contemporary organ cases speak to each other across the nave at the crossing. -
The dome
(Western Theological Seminary (Holland, Michigan), 19)The dome of San' Ignazio is quite convincing, especially in the dim light of the nave. -
Eastern apse of the Cathedral of Speyer
(Western Theological Seminary (Holland, Michigan), 1973)The power and presumed headship of the papacy was represented by the bishop who celebrated in the eastern apse of the cathedral (Photographed in 1973 with a modern altar/table brought forward in accordance with Vatican ... -
Entrance into the nave of St. Mary's
(Western Theological Seminary (Holland, Michigan), 1984)The doors leading through the narthex into the nave. -
Entrance to Nave of Hagios Nikolaos Orfanos
(Western Theological Seminary (Holland, Michigan), 1984)Entrance to nave with icon of Nikolaos Orfanos to the right. -
Fresco interior of old St. Peter's
(Western Theological Seminary (Holland, Michigan), 1971)Again, it was Constantine who began the basilica at St. Peter's. Fresco of old St. Peter's in San Martino ai Monti. -
Fresco interior of old St. Peter's
(Western Theological Seminary (Holland, Michigan), 1971)In addition to many other churches Constantine also began the basilica of St. Peter's. Fresco of the interior of old St. Peter's as found in San Martino Ai Monti. -
Fresco of St. John Lateran
(Western Theological Seminary (Holland, Michigan), 1971)The portion of that Palace which was the basilica was turned into a church. Fresco of the Lateran Basilica as found in a fresco in San Martino Ai Monti. -
Greek Village Church Nave
(Western Theological Seminary (Holland, Michigan), 1984)The interior nave of the Greek village church. -
Grundtvigs Kirke
(Western Theological Seminary (Holland, Michigan) in partnership with Calvin College (Grand Rapids, Michigan), 1990-09-17)View from right cross aisle across nave to left cross aisle. -
Grundtvigs Kirke
(Western Theological Seminary (Holland, Michigan) in partnership with Calvin College (Grand Rapids, Michigan), 1990-09-17)Long shot of nave. -
High altar and nave
(Western Theological Seminary (Holland, Michigan), 1968)The context of this imperial iconography in San Paolo shows forth glory and grandeur as the architecture overwhelms. Long shot facing West through the ciborium over the high altar and grave of Saint Paul.