• Moses in La Fontana 

      Bruggink, Donald J. (Western Theological Seminary (Holland, Michigan), 19)
      Purportedly the sculptor bragged that his Moses would be greater than that of Michelangelo. When at the eventual unveiling the crowd laughed, it is reported that he subsequently committed suicide.
    • Moses rescued from the Nile 

      Bruggink, Donald J. (Western Theological Seminary (Holland, Michigan), 1971)
      Fresco of Moses rescued from the Nile.
    • Moses striking the rock 

      Bruggink, Donald J. (Western Theological Seminary (Holland, Michigan), 1971)
      The motive behind the use of iconography and the promotion of a seemingly aniconic faith was the rise for relevancy in communication as in this representation of baptism. Gold glass of Moses striking the rock as a symbol ...
    • Moses striking the rock 

      Bruggink, Donald J. (Western Theological Seminary (Holland, Michigan), 1971)
      Baptism is also portrayed through the Old Testament figure of Moses striking the rock, which the apostle Paul in 1 Cor. 10:4 had described as Christ. Moses striking the rock, catacomb of Priscilla.
    • Moses striking the rock 

      Bruggink, Donald J. (Western Theological Seminary (Holland, Michigan), 1971)
      Moses bring forth water from the rock (see also CAT0037).
    • Moses striking the rock 

      Bruggink, Donald J. (Western Theological Seminary (Holland, Michigan), 1971)
      Moses strikes the rock and brings forth water.
    • Moses striking the rock 

      Bruggink, Donald J. (Western Theological Seminary (Holland, Michigan), 1971)
      Fresco in the Capella Greca, Catacomb of Priscilla, Rome. Moses brings forth water from the rock as a symbol of baptism for the Early Church.
    • Statue of Moses by Michelangelo 

      Bruggink, Donald J. (Western Theological Seminary (Holland, Michigan), 19)
      Close up of statue of Moses by Michelangelo.
    • The Tomb of Julius II 

      Bruggink, Donald J. (Western Theological Seminary (Holland, Michigan), 19)
      The tomb of Julius II by Michelangelo. In the center is Moses surrounded by Leah and Rachel (symbols of the contemplative life).